Selected Curatorial

Featured exhibitions and programs at the Schomburg Center for Research in Black Culture, Anthology Film Archives, New INC, The Kitchen, e-flux Screening Room


Black on Screen: A Century of Radical Visual Culture
Schomburg Center for Research in Black Culture, Fall 2025 – Summer 2026











Blueprints for Planet Other
New INC DEMO Festival, Summer 2025




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Installation images of Blueprints for Planet Other, Cooperative Studies Exhibition for NEW INC’S 2025 DEMO FESTIVAL curated by Daniella Brito, photographed by Carlos Galek Sefchovich.




Imaging Improvisation

Anthology Film Archives, Spring – Summer 2025



Jonathan González, Body Preferences (De La Preference Du Corps), 2024 (still).
Blondell Cummings, 1st Tape, 1975 still.



What are you afraid of? e-flux screening room, Spring 2023

A three part series of screenings and discussions with films by artists Lex Brown, Leila Weefur, Nile Harris, and Martine Syms. The series examined the horror within the mundane across films that queer the banal to reveal latent fears and desires. 

Lex Brown, The Glass Eye (still), 2023.









Film Premiere, The Kitchen Video Viewing Room: CA(R)MILLA, Kearra Amaya Gopee, 2023



In this docu-fictional short, Gopee annotates the parable of the soucouyant, a blood-craving, vampiric figure typically rendered as an undesirable older woman in Trinidadian legends. The screening was a accompanied by a conversation between curator Daniella Brito, Gopee, and Jewelle Gomez, author of the 1991 queer vampire novel, The Gilda Stories.

DEMO Festival, New INC, June 2023

HOW DO WE COMMUNE IN THE WAKE OF WIDESPREAD SOCIAL UNREST? WHERE DO RAGE AND PLAY CONVERGE? HOW CAN GRIEF INFORM COLLECTIVE LIBERATION?


The short films in this series ask these questions and then some, chronicling stories, histories, and speculative realities that gesture towards futurity and uplift organizing traditions in the past and the present.

Film Screening, e-flux screening room, Thomas Allen Harris: Spring, 2024



Brito screened Blue Baby (1996/1997) and Heaven, Earth & Hell (1993) — two works inspired by the artist’s performance work from the 1990s. In the former, Harris embodies an infant who would have been aborted had their family known they would grow up to be queer. The recurrent performance intervention took place across public spaces in Los Angeles, ranging from shopping malls, to museums and cafés. In the second work, Harris conjures the Trickster figure—an archetype found across Afro-diasporic and Indigenous folklore—to recount the story of his first queer love.




Lectures, Artist Talks, Public Speaking



Select talkbacks at New INC and the Museum of the Moving Image.